When you're looking to augment your sound with the tone-shaping capabilities of some of the world's most well-loved speaker cabinets, then the BIGBox series is for you. Using the same uncompromising signal chain used in our Speakerbox series, we've set out to capture the magic of giant wooden boxes, with strategically placed holes, stuffed with insanely loud cone-shaped bits of mayhem, and glued together with the blood, sweat and tears of three generations of rock gods, grunts, and goram contenders... or something to that effect.
Features Cabs sampled with up to 14 industry-standard microphones each with their own sound Up to 8 mic positions to dial in the right tone for your amp 9 different mic distances for different amounts of proximity effect, cabinet and room sound Minimum of 550 IRs per cabinet* so you'll find the perfect match for your sound Edited for better phase coherence allowing you to more easily mix multiple IRs Clean, uncompromising signal chain that won't add undesirable color to your sound Cabs powered with Bryston 4B, known for flat freq. response, ample power, low distortion Recorded with Prism Sound Orpheus converters for top quality A/D and D/A conversion Sampled with a Neve 1073 and/or a pair of Neve 1084s, two of the most highly regarded preamps for recording guitar, or anything else for that matter Compatible with a wide range of recording software and convolution plug-ins (see Compatible Software) including Axe-Fx ready sysex files** * Take a look at the IR Matrix for each speaker cab for a complete listing of captured impulse responses for that cabinet. **Axe-Fx sysex files are truncated to 1024 samples to conform to its cabinet IR size limits, thus removing room reflections Mic Positions
	We mic each sampled speaker from 8 positions. The primary positions include: Cap center, Cap 45° off axis, Cap edge, Cap edge 45° off axis, Cone middle, and Cone edge. Then we do a Room mic and a Back of the Cabinet mic. The captured sound is brightest (contains the most high frequency content) at the "Cap center" position and gets progressively darker (more lows and less highs) as you move the mic towards the edge of the cone. Depending on the position and the mic distance, the mic will pick up different aspects of the other speakers and the cabinet.
Each cabinet is sampled with a matched pair of Neumann KM84s and a pair of TC30s in an XY configuration. These are labeled RoomL and RoomR. We also use a KM84 or TC30 to sample the back of the cabinet. We reverse the phase of this sample. It picks up mostly low end and may be useful when blended with a another mic signal. Not every mic was sampled in every position and at every distance so check the cabinet's IR Matrix for a comprehensive listing. Preview the Cabinet IRs! Legal stuff: All product names used in this webpage are trademarks of their respective owners, which are in no way associated or affiliated with Red Wire Impulses. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were sampled during impulse response capture. The Microphones Click on the mic name to see a brief description. Not every mic was used on every cabinet so check the IR Matrix of each cabinet for details. Guitar Mics AKG C414B-ULS The C414B-ULS is a 4-pattern condenser mic with an input transformer. We used it in mainly in cardioid, but threw in an omni room IR or two for kicks. It has fairly flat response with a very slight dip in the upper-mids and a very noticeable proximity effect at close range (boosting the lows). Audix i5 The i5 is a dynamic mic with a scooped mid range and a big presence bump. In our work, we found it to be a bright mic without much low end that works best at close range or out towards the cone on bright speakers like the Celestion Blue. It really seems to like the Jensen P12. Beyerdynamic M160 The M160 is a oddity among ribbons due to its tight cardioid pattern. Work it close for a nice proximity boost. Pull it back and enjoy the mellow highs. It's hypercardioid pattern keep the room sound at bay even at a distance. Coles 4038 A flat ribbon mic. Big proximity effect, but nice and balanced if you give it some breathing room. Neumann U47 A classic microphone used in countless legendary recordings. Extended lows, sweet mid-range and smooth high-end. Neumann KM84 The KM84 has a flat frequency response which lends itself to use as a room mic. It's also nice when you want to capture the speaker as is, without adding a lot of coloration. Neumann M8/CMV563 We put this one up, not expecting too much and were pleasantly surprised, so we kept it in the lineup. The M8 has a "vintage" rolloff of the highs frequencies which makes it nice for taming fizzy guitars and for use on bright speakers. It's also figure 8, so we had some fun with it and pointed its null point at the speaker to pick up mostly room reflections. We labeled these IRs, "NullAndWall". The reflections we captured with the Weber Blue might make an especially nice slapback reverb if blended with another signal. It's also interesting to note that this very mic was used by the East Germans to broadcast anti-capitalist propaganda into West Germany, or so we were told. Neumann M7/CMV563 If it was good enough for the Beatles, then... well, ok... it's not a U47, but it's a similar capsule and on a CMV563 tube mic, it has some old school mojo of it's own. Neumann U87 This one's a studio standard. We were especially careful not to overload this guy which can make it sound a little "honky", in our opinion. It seems to have less proximity effect than the C414 and picks up more high end. We did an omni room IR as well as a cardioid one. Royer R121 Another ribbon mic. You can get real beefy tones taking advantage of the proximity effect and placing it up close, on the cap or cap edge. Smooth highs, and a nice balance at a distance. The figure 8 pattern lets in a little room which makes for a nice natural sound. We did the "NullAndWall" trick with this one, too. Sennheiser MD421N The 421 is a dynamic mic with solid lows and a flat response until a significant boost starting around 1.5K. It will make just about anything cut through the mix. It works very well off axis, too, if you want to roll off some of the presence and high end. We've got one of the vintage white ones with the tuchel connector and the funky, trailer park logo, which to our ears is more mellow sounding than the newer ones. It's wired differently than modern mics, so we reversed the phase on the pre when we recorded it. Sennheiser MD441 The 441's low-end response is similar to the 421 but it has fuller mids and less edgy upper-mids. Sennheiser MD409 The 409 rolls off the low-end before the 421 and has less edgy upper-mids and high-end. To us it sounds more like an SM57 with less peaky upper-mids. Shure SM7 Kind of like an SM57 that's all growed up and has stopped borrowing mom's car to take the girlfriend to rock shows to impress her with wicked moshpit wrestling moves... Yeah... we don't know what that means either. Suffice to say, it's a lot like an SM57 with a less pronounced proximity effect up close (probably due to the recessed capsule) and extended, smoother highs. It has a similar vibe to the TAB57, so if the schedule was tight, we dropped the off axis positions on this one. Shure SM57 A studio staple on electric guitar. Aggressive upper mids. Some proximity effect. Rolled off highs. Try pairing it with an R121 for a little of the chocolate and peanut butter thing. TAB-Funkenwerk SM57 An SM57 with a replacement transformer made by TAB-Funkenwerk that extends the highs a bit and the lows a little bit more. Sounds like a crankier SM7 to us. You can judge for yourself. Electrovoice RE20 Take it out of the kick drum and use it on guitar. It's a detailed, well-balanced mic with ample low-end. It's muted proximity effect can be useful. Earthworks TC30/M50 The TC30 and M50 are high-end reference mics. They are flat as a pancake and have a phenomenal frequency response (3Hz-50KHz for the M50). Lawson L47 Based on the Neumann U47, this one popped up in a few of the sessions. See what you think. Blue Bottle/B4 (Room only) High end tube mic with a nice neutral omni capsule that we thought would complement the other mics as room mics. Blue Bottle/M7 We occasionally threw the M7 on this behemoth (in case you didn't know, the BLUE Bottle is a BIG mic) and put it up, mostly for kicks. You may find the results useful. Bass Guitar Mics AKG D12 The D12 is tuned for bass with a little boost between 60 and 100Hz and another around 5-7K for some click and string noise. Highly recommended. Frequency response 30Hz-15KHz AKG D112 The D112 is more scooped sounding than the D12 and has a presence peak a little lower, between 2-5K, for a click of a different color. Frequency response 20Hz-16KHz Audix D6 Incredibly scooped mic with a huge presence peak that exaggerates bass click. Not a lot going on in the mids. Interesting effect. Frequency response 30Hz-15KHz Beyerdynamic M380N The moving-coil transducer in the M380 is essentially a small speaker driver giving it uber-lowend response of 15Hz and an even uber--er proximity effect. Can be boomy, and require some EQ, but also captures lows that other mics do not. Did we mention it's bi-directional. Frequency response 15Hz-20KHz Coles 4038 A flat ribbon mic. Big proximity effect and fragile, so 4" was as close as we ever put it on a bass cab. Nice balanced sound if you give it some breathing room. Frequency response 30Hz-15KHz Earthworks TC30 This thing has low-end down to 9Hz. For real, too. It's flat down to 9Hz and up to 30KHz. Omni with no proximity effect. It tells it like it is. Highly recommended. Frequency response 9Hz-30KHz Electrovoice RE20 Detailed, well-balanced mic with decent low-end. It's muted proximity effect makes it really useful on bass. Frequency response 45Hz-18KHz Heil PR40 Great low-end and big presence boost for cleaning up muddy bass lines. Frequency response 28Hz-18KHz Neumann U47FET A studio staple on bass. Ours was once in service at Ramport studios, so it's possible that it sat in from of John Entwistle's stack back in the day ;-). Highly recommended. Frequency response 40Hz-16KHz Royer R121 Another ribbon mic. Fantastic on electric guitar and pretty good on bass, too. Like the Coles it has a big proximity effect and is fragile, so 4" was as close as we ever put it on a bass cab. Really shines at a distance. Frequency response 30Hz-15KHz Sennheiser e602 Not quite as scooped as the D6, but the mids are "subdued". Good for cleaning up muddy bass lines with a lot of low notes. Frequency response 20Hz-16KHz Sennheiser MD421 Great on bass for the same reasons it's awesome on electric guitar. Nice low-end and a presence boost to cut through in the mix. Frequency response 30Hz-17KHz Shure Beta52 Scooped when used up close. Becomes significantly brighter and more punchy the further you move it back. Frequency response 20Hz-10KHz Shure SM7 Not as much low-end as some of the other mics, which can be a good thing if you have a boomy bass line to tame. Great high end. Frequency response 50Hz-20KHz Shure SM57 We threw this in the lineup as an "effect" mic for a ratty bass sound, and just in case y'all wanted to use the bass cabs on guitar tracks. Even though the spec says it will theoretically go down to 40Hz, we're not "shure" what they were smoking when they wrote that. Frequency response 40Hz-20KHz--ish Mic Distances We sampled each speaker and microphone combination at up to 10 distances:  0", 0.5", 1", 2", 3", 4", 5", 6", 12", and Room. As the mic gets further from the speaker, the captured sound tends to get progressively brighter as the low-end drops off. You get more ambient room sound and you pick up more from the other speakers and the different aspects of the cabinet resonance the further away you place the mic. The 0" starting position is right on the grill, but not touching it, or parallel to the baffle in the case of cabs without grills or grill-cloth.

The big enchilada, the full monty. All 31 cabinets in the BIGBox set. It's like having a studio full of the world's finest mics, speakers, cabinets and preamps in your pocket.

In short, you get a pocket full of awesome. How much would you pay for 31 flavors of awesome?  $300?... $400?...

Guess again. You can complete the set for $121.00.  31 of the universe's most comprehensive cabinet IR libraries for about $3.90 a cab.  And did we mention, the button GLOWS!  Go ahead.  Succumb to it's warm, glow-ey goodness. You know you want to!

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Impulse responses of an oversized Mesa Rectifier cabinet loaded with four Celestion Vintage 30s.

Zipped archive available for immediate download contains 582 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Bogner Uberkab. Vintage 30s never sounded so good... definition without sounding raspy. The Uberkab is loaded with both Celestion G12T-75s and Vintage 30s. So, because we're close mic'ing, we had to treat it as three cabs in one. We mic'ed the T-75s and tagged them with "Uberkab-T75". We mic'ed the Vintage 30s and tagged them with "Uberkab-V30". Then to get the vibe of both speakers in one IR, we did a 50/50 mix of both speakers and labeled them "Uberkab-T75V30". This set features the Vintage 30s and includes the 50/50 mix IRs, but not the close-mic'ed T-75s. They do bleed through, though. More so, the further away you put the mic.

Zipped archive available for immediate download contains 1373 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Bogner Uberkab. The Uberkab is loaded with both Celestion G12T-75s and Vintage 30s. So, because we're close mic'ing, we had to treat it as three cabs in one. We mic'ed the T-75s and tagged them with "Uberkab-T75". We mic'ed the Vintage 30s and tagged them with "Uberkab-V30". Then to get the vibe of both speakers in one IR, we did a 50/50 mix of both speakers and labeled them "Uberkab-T75V30". This particular set features the T-75s and includes the 50/50 mix IRs, as well, but not the close-mic'ed V30s. They do bleed through, though. More so, the further away you put the mic.

Zipped archive available for immediate download contains 1373 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of an ENGL Pro 4x12 cabinet loaded with four Celestion Vintage 30s.

Zipped archive available for immediate download contains 661 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a slant Marshall 1960 loaded with four 25-watt Celestion G12Ms, otherwise known as "Greenbacks". As a little birthday present we updated this one with more mics for a total of 24. Check out the IR Matrix for details.

Zipped archive available for immediate download contains 1048 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a straight Marshall 1960 loaded with four Celestion Vintage 30s. If this flavor of Marshall doesn't do it then we have a few more.

Zipped archive available for immediate download contains 598 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a straight Marshall 1960 loaded with four Celestion G12T-75s.

Zipped archive available for immediate download contains 661 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Matchlesss ES212. The Matchless ES212 is loaded with one custom voiced 30-watt Celestion G12H and one 25-watt Celestion G12M. Because we're close mic'ing, this collection is really three cabs in one. We mic'ed the G12H30 and G12M25 separately. Then to get the vibe of both speakers in one IR, we did a 50/50 mix of both speakers and included it in both collections. This set focuses on the G12H30.

Zipped archive available for immediate download contains 1369 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Matchlesss ES212. The Matchless ES212 is loaded with one custom voiced 30-watt Celestion G12H and one 25-watt Celestion G12M. Because we're close mic'ing, this collection is really three cabs in one. We mic'ed the G12H30 and G12M25 separately. Then to get the vibe of both speakers in one IR, we did a 50/50 mix of both speakers and included it in both collections. This set focuses on the G12M25.

Zipped archive available for immediate download contains 1369 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Soldano 412B loaded with four Eminence Legend V12s. Ours is purple. Which most would agree, makes it more awesome. A lot more high-end than the S12X version. It's a front-loaded cab with lots o' resonance so you may need to back the mics off a bit more than usual.

Zipped archive available for immediate download contains 699 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Soldano 412B loaded with four Eminence-made S12Xs. S12Xs were stock in the older cabs. Give this one a little more distance than you might normally, the cab resonance is pronounced up close and the speakers have a notch in the upper mids between 4-8KHz. Nice for taming fizzy guitars.

Zipped archive available for immediate download contains 699 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a straight Orange 4x12 (PPC412) loaded with four Celestion Vintage 30s

Zipped archive available for immediate download contains 678 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of an older model Peavey 5150 4x12 cabinet loaded with four Sheffield 1200 speakers.

Zipped archive available for immediate download contains 560 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Roland Jazz Chorus (JC-120) with Roland 12" speakers. Clean, clean, clean. Kinda like a more scooped JBL D120. Did we mention they do the clean thing really nicely.

Zipped archive available for immediate download contains 699 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a '68 Marshall Basketweave 4x12 loaded with vintage Marshall-labeled 25-watt Celestion G12Ms. For those who care, these beauties have T1221 frames and Pulsonic 003 "lead" cones. We've been searching for a while to find a nice matched quad of these.

Zipped archive available for immediate download contains 699 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a '68 Marshall Basketweave 4x12 loaded with 20-watt Celestion Heritage G12Ms. Brown sound all around.

Zipped archive available for immediate download contains 699 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a '68 Marshall Basketweave 4x12 loaded with a matched quad of vintage, 30-watt, Celestion G12H "blackbacks". T1281 frames and "444", 55Hz bass cones from the late 70's. Unleash your inner Jimi, or Jimmy, if you prefer.

Zipped archive available for immediate download contains 699 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a '68 Marshall Basketweave 4x12 loaded with vintage Celestion G12Ls. We acquired this cab with the intent of hunting down some good T1221 Greenbacks for it, but we thought the G12Ls with their mellow high-end and ample bass would be a nice flavor to have around.

Zipped archive available for immediate download contains 651 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a '67 Fender Twin Reverb cabinet loaded with vintage Jensen C12Ns. A little less bass than the D120s and a peak around 2500Hz which gives it a crunchier sound than the JBLs.

Zipped archive available for immediate download contains 651 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a '67 Fender Twin Reverb cabinet loaded with vintage JBL D120Fs. The D120s have more low-end than the C12Ns and a peak around 3700Hz, for distinctly edgier upper-mids.

Zipped archive available for immediate download contains 651 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a 1975 Hiwatt SE4123 cabinet loaded with four vintage 50-watt Fane purplebacks.

Zipped archive available for immediate download contains 661 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Vox AC30 loaded with two Vox-labeled Celestion Alnico Blues made in the UK. Chimey Vox goodness, if you're into that kind of thing.

Zipped archive available for immediate download contains 636 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Vox AC30 loaded with two Vox-labeled alnico, silver speakers. These are 25-watt(ish), T1656 frame, alnico silvers with Pulsonic cones made for the Thomas Organ Company in the 60's. Slightly less extended upper mids than the blues, same cones as the early greenbacks. Cool speakers in pristine condition.

Zipped archive available for immediate download contains 699 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Tweed Deluxe narrow panel from 1956 with the the original Jensen P12R speaker for the purists. Rounder, warmer sound than the Blue.

Zipped archive available for immediate download contains 593 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Tweed Deluxe narrow panel from 1956 with a replacement Celestion Alnico Blue speaker for a brighter tone with more high end sparkle.

Zipped archive available for immediate download contains 557 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Supro Thunderbolt S6420 cabinet with the original 15" Jensen speaker. Decent low-end for a small, open-backed cabinet, a boost around 550Hz that gives it some mid-range "honk", and crunchy upper-mids.

Zipped archive available for immediate download contains 651 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of reproduction Narrow Panel Tweed Bassman cabinet loaded with vintage '57 Jensen P10Qs. Crunchy upper-mids, scooped low-mids, and tons of low-end below 70Hz. Come on metalheads, give it a try, we won't tell anyone!

Zipped archive available for immediate download contains 699 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Marshall 1960 cabinet loaded with JBL K120s. This one was a favor for a friend, but we thought other people might like it too.

Zipped archive available for immediate download contains 701 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Fender Dual Showman cabinet loaded with vintage JBL D130s.

Zipped archive available for immediate download contains 699 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of an SVT 810 with stock SVT 10" speakers (86-032-01). We're pretty sure the SPL coming off this monster ripped a hole in the space-time continuum. Maybe not, but it certainly pushed lunch at Pinche Taqueria through the ol' pipes in record time.

Zipped archive available for immediate download contains 564 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

Impulse responses of a Hartke 4.5XL with aluminum Hartke 10" speakers and a center-mounted 5" driver. The aluminum drivers give you a bright, punchy sound. We sampled the 10" speakers and the 5" high-end driver independently, so you can blend to taste.

Zipped archive available for immediate download contains 607 impulse responses each at 44.1, 48, 88.2, 96Khz sampling rates, 16/24 bit, and Axe-Fx ready sysex files. See IR Matrix.

^{$10.00 for the 1st cabinet $8.75 for the 2nd}

• keFIR (FREE, Windows)
• LAConvolver (FREE, Mac OSX)
• Poulin LeCab (FREE, Windows)
• Voxengo Boogex (FREE, Windows)
• Voxengo Pristine Space (Windows)
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• Revalver Mk III (Windows, OSX)
• SIR II (Mac OSX, Windows)
• ProVerb (part of DP6, Mac OSX)
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• Altiverb (Mac OSX, Windows)
• Studio Devil (Mac OSX, Windows)
• Overloud TH-1 (Mac OSX, Windows)
• LiquidSonics Reverberate (Mac OSX, Windows)
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